So, Gyo, for me is more than decent and by far one of his best works. When there's nothing left to perceive as normal, the unnatural, the bizzare replace and become the norm. To celebrate their graduation from university Kaori and her two friends visit Okinawa in southern Japan for a short vacation. Diseccionamos este monumento al horror de la muerte para entender qué tiene que ver el cómic japonés con el expresionismo como movimiento artístico. I wonder if that stench of death will ever vanish. But this is a pattern in his most works, not just exclusive to Gyo. Junji Ito es el rey del manga de terror, y Gyo es una de sus historias más representativas. then it gradually worn out from the scientist uncle to fish apocalypse. Shit, how can a smell make anyone feel helpless? It was one of the best uses of paranoia by far. I really felt anxiety of the girl myself, started to smell the stench out of nothing in my room. It did a good job to made me empathize with the protagonists. I've been really weirded out by the first persistent fish flying back at them in the bag. I'll ever remember the opening of Gyo, it was really powerful. Yeah, like you pointed out a lot of people doesn't held Gyo as high as Uzumaki or Amigara because of the lack of 'the classic Lovecraftian angle' but in other ways Gyo had succeeded to be even more disturbing than those in some areas.
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